The Cinema of North Korea (or rather one North Korean film I happened to see last Thursday)

Just as you enter Muranow, one of my favourite cinemas in Warsaw, there is a sign in big golden letters which says - "Cinema is the most important of all the arts for us" and the quote is signed Vladimir Lenin. Seeing it there has always amused me, which is probably why I remember it.
The reason I bring this up is that as I watched The Schoolgirl's Diary I couldn't stop thinking about the little bit of old Soviet cinema I had seen and that Lenin quote. Essentially that's what the film was, it was like seeing a propaganda film from the socialist realism era, only it was made in 2006 :] Btw, according to wikipedia North Korea, Laos and to some extent Vietnam are the only countries in the world that still use socialist realism principles in art. Even China has pretty much retired that art style.

Anyway, about the film... Artistically I don't think there's much to praise in the The Schoolgirl's Diary (frankly Soviet cinema was much more creative), but as a piece of propaganda it's first rate. It's the story of a girl who is angry with her father. He's a scientist and he works so hard that he neglects the family and yet he has no results to show for it. They live in greater poverty than most families, his work receives no praise and on top of that he's never there. They don't see him for weeks, sometimes even months. Of course in the end he succeeds, the girl realizes she was wrong and the moral of the story is that hard work pays off. For more info on the film please check out the Variety review, the rest of this post is just my rambling :]

I think that after seeing the film I kind of get why a world like that may seem attractive. It's a world where everything is orderly, everyone has their place and everyone believes in the same kind of moral conduct. This makes life very simple and secure - far more so than in our world. In a certain way it's a beautiful world. I can't help but wonder how close they have really come to that ideal. At the same time I am acutely aware that I could never surrender myself to a lifestyle like that. I guess I'm just too spoilt and evil :]
Another random thought I had while watching The Schoolgirl's Diary (I had quite a few of them - that's because the film itself wasn't interesting enough to hold my attention properly ;) ) was what kind of purely commercial films could be made and watched in a world based on the principles underlying the film. Anything that came to mind just didn't fit. Even Sometimes Happy, Sometimes Sad which I always thought was a film so innocent it couldn't possibly offend anyone (unless someone finds it offensive to see sexy men crying rivers every 5 minutes for various ridiculous reasons ;-P) wouldn't be appropriate. That's because the main characters are a very rich family, who didn't have to work hard for their wealth (though they are honest people) and also I think the structure of the film wouldn't go down well. It's not orderly - it has random song numbers inserted all over the place and the story itself is a little random at times. I remember hearing once that most regimes would not allow abstract art. I didn't fully grasp why that was, but now that I saw this film it totally makes sense. I can't actually explain it, but it just does :] It's such an orderly world that everything has to be orderly and abstract art is anything but that.

Finally I wanted to share one more thing, though it's totally random and more about Japan than North Korea, but whatever :] In my recent Japanese pop culture discoveries I came across some bizarre, offensive comedian called Egashira. According to wikipedia he once went to North Korea and made some sort of critical joke about the country and was arrested for it! He's still on Japanese TV AFAIK, so I assume they either got him out somehow or wikipedia is wrong :]
He seems to have really been in North Korea though cause he's showing off some material from a North Korean circus on the clip below:

FOLLOW UP: Escaping North Korea

Just thought I'd follow up my previous post on North Korea with a BBC article I came across. It's about the lengths to which North Koreans go to to get out of the country and features some video material to go with the text.

North Korea: The only thing the government fears is balloons

The Planet Doc Review festival is being held in Warsaw right now. My dad took me out on Monday to see Andrzej Fidyk's Yodok Stories, which is a documentary about North Korean concentration camps. What many people don't realize (or at least I didn't) is that North Korea is running several concentration camps today (I believe the film spoke of the existence of 15) to hold political prisoners and their families. In North Korea, if you are guilty of a crime against the state (which can mean a lot of things - for example putting a newspaper with the photograph of Korea's leader, Kim Jong-il, on the floor would be considered such a crime) three generations of your family will be put in a concentration camp.

Andrzej Fidyk is a Polish documentary director (though apparently his next project will be a feature film, so I'll be really excited about that!) who makes very particular sort of films. I first came across him in film school (for those who don't know me that well - I did a two year film course where I specialized in editing and then didn't follow it up with anything much). My history of film teacher showed us Andrzej Fidyk's 1989 film - Defilada. He told us (or at least that's what I remember - I hope I remember right!) that in the late 80s the North Korean government decided to invite eight foreign documentary directors to make a film about their country (they wanted to improve their image abroad), but of course reserving the right to censor the films. Of the 8 films made, only Fidyk's passed the censors and made its way out into the world. Poland of course has a very strong tradition of making films which pass censors, but which say everything that needs to be said anyway and Defilada is a classic example of this (in fact that's why it was shown to us!).

Almost 20 years later a Norwegian human rights body asked Fidyk whether he would be interested in making a film about North Korean concentration camps. So he started to wonder how such a thing could even be done. Naturally, you can't just waltz into a concentration camp and film it and then there's the other issue of how do you make a film on this topic without making it so depressing that nobody would want to watch it.
Finally, he had an idea... You see, North Korea does probably the most spectacular stadium performances in the world. In fact Fidyk's first film about North Korea references this with its title - Defilada means The Parade. You can see a fragment of Defilada which shows a stadium performance below (it's in Polish, if you want to go straight to the bit that shows the performance then it's about half way through the clip):

To see more of Fidyk's Defilada, go here or to see another North Korean parade go here (there are way more on youtube and all of them are just as spectacular!).
So Fidyk decided that he had to find a North Korean spectacle/theatre director amongst the many North Korean refugees in South Korea and talk him into directing a play about North Korean concentration camps. The documentary would focus on the making of the play. Eventually he found a man suitable for the job and after a lot of talks the play evolved into a stage musical (apparently these are very popular in South Korea). The musical is called Yoduk Story - Yodok being the name of one of the concentration camps. It was a huge success in South Korea and has toured the USA too. You can see the trailer for the stage musical below:


What struck me most in what I learnt from the film was how totally isolated North Korea is. The people living by the border may have some idea about what's going on in the outside world, but everybody else is totally cut off from outside information. And anyone who *would* have such information would not share it because their whole family would end up in one of the concentration camps. Furthermore North Korea has NO internet. That was the first thing I checked on-line after seeing the film because I just couldn't believe it. The North Korean domain is .kp and there are exactly two known websites in that domain and both of them are on servers outside of North Korea. In North Korea internet just doesn't exist. So the only way people (mainly the many North Korean refugees living in South Korea) have been trying to give people in North Korea information about the outside world is by sending brochures via helium balloons.

I really recommend the documentary - it's a very important topic and a very well made film too. It will still be showing this Saturday and Sunday at the festival.